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One of the best aspects of a travelling DJ’s
lifestyle is the opportunities it brings to combine business with
leisure. A classic example occurred at the start of September as
I set off on one of my mammoth six-day road trips to Scotland.
This was technically a holiday for myself and Mrs.
D, but the opportunity arose to take in four club gigs during
the course of the itinerary, so I actually ended up spending more
nights working than I did chilling!
With us on the trip was Parveen’s
Mum. Admittedly, it’s not particularly gangster
to go on holiday with your Mother-In-Law. Mine is very cool,
however, and we all got on very well during the 1,600 miles I
piled on to my Bima. My only criticism is that the enforced fag
breaks I had to make for her probably added about five hours’ worth
of unnecessary delays to the schedule!
My first Scottish gig was on Friday
2nd, but before we could set off, I had to get my G’s
Bicester session out of the way on Thursday night. To
save hitting the M40 traffic in the morning, Parveen and
myself set off to Mum-in-Law Otti’s place
in Middlesex immediately after the
gig at 2.30am, and after far too little sleep, embarked on the
long trek Northwards about seven hours later.
Although I drive around 35,000 miles a year, the
vast majority of these are done in the nightime hours, where you’re
free of accidents, slow old fart drivers and general traffic bullshit,
and can blaze happily in good time. I generally avoid the roads
on a Friday daytime like the plague, but on this occasion we were
left with no choice, and we finally drew up in the West Coast town
of Ayr after 8pm on Friday night.

'MD at Club De Mar'
The gig was another one at Club
De Mar, the town’s main nightspot, and pretty much
the only venue in Scotland that’s booking big-name urban
DJs like Westwood, Shortee Blitz, Ronnie Herel and G
Child on a regular basis. Parveen was
pretty tired and wanted to come clubbing the two following nights,
so stayed at the hotel for this one. I’d last played a
Saturday there in June. The Friday crowd in Room
Red was slightly more up-for-it, and it was a good way
to start the long weekend.
Although we’d struck lucky by
being booked into Ayr’s smart Ellisland
Hotel, Saturday could have started better. Over breakfast,
the hotel staff advised that the electrics on my car had got messed
up, with the alarm going off intermittently and the windows coming
down of their own accord. Booking it into a garage for a serious
overhaul became a major priority on our return! After re-visiting
the country hotel in New Cumnock where we’d got engaged at
Christmas 2001, we headed to our next hotel in Falkirk, ahead of
the night’s gig in Glasgow.
Glasgow and Edinburgh couldn’t
be more different architecturally, culturally and layout-wise,
and the congestion and general chaos of the former isn’t
to everyone’s taste. One thing Glasgow has in its favour,
however, is that people know how to party, and it’s virtually
impossible for any Saturday night session there to be anything
short of electrifying. This was the case at Blanket,
(formerly known as The Velvet Rooms,)
where I joined local legend and all-round top bloke Ray
Woods in the main one of the club’s four rooms.

'Punters at Blanket, Glasgow'
I managed to avoid all obvious hits, instead dropping
new heat and general heavy tunes to a hugely appreciative crowd.
A vicious fight right next to the DJ booth interrupted the flow
for a couple of minutes, but otherwise, this rates as one of my
most fulfilling UK gigs of 2005. Good to meet Glasgow rapper Nafees in
the place.

'Massa, Edinburgh'
The long weekend rounded off over in Edinburgh.
Sunday night clubbing is part of the social culture in Scotland,
and Flava at Massa was
predictably firing all the way to 3am. I only got to play for just
over an hour, which was disappointing, but otherwise, everything
was first class. The weekend marked the end of the month-long Edinburgh
Festival, with a huge fireworks display from the castle,
and the promoters worried this might disrupt the night’s
attendance. Happily it didn’t.
We finally got two full days and nights off on Monday
and Tuesday, aqnd headed all the way up into the Highlands,
taking in places like Pitlochry, Aviemore, Inverness and Loch
Ness, finishing with a night in a 17th century coaching
inn near Glencoe, and getting attacked
by a swarm of bloodthirsty midges, Scotland’s answer to mosquitos.

'Middle of Nowhere, Scotland'
By Wednesday 7th, we’d
descended back into England – but not far. We were in the Lake
District, ready to play DJ Bligeness’ Block
Party gig at The Wheelhouse, on
the shores of Lake Windermere. On first
impressions, this would seem like a pretty unlikely setting for
one of the heaviest urban music parties in the UK – particularly
midweek. But some intensive promotional work from Bligeness, combined
with the fact that the night attracts a large Jamaican contingent
who work in the many hotels in the area, ensures things are kept
at fever pitch.

'MD & Bligeness at Wheelhouse'
Sure enough, the night was off the meter, and I
crammed as much reggae dancehall into my two-hour set as possible.
There was a South African crew in the
house, too, some of whom had seen me perform at Who
Zoo in Johannesburg. Parveen’s
Mum actually attended this one, making me possibly the first
DJ in the UK to take his mother-in-law to a club gig! As with all
the Scottish nights, Parveen took a great selection of photos,
all of which will be indexed and posted in the Gallery section
of the site very soon, if they’re not already.
An obscene amount of motorway bullshit meant Thursday’s journey
home took hours longer than it should. While Parveen headed back
to London, I stayed in Bicester ahead
of another obligatory appearance at G’s.
The remoteness of Scotland meant that I’d
not checked my e-mails for five days, which is about as long as
I’ve ever left it. As a result, there were well over 200
to catch up with on Friday, including my weekly bunch of exclusive
MP3s from DJ Drastic in New York, as
well as 30 or so vinyl/ CD promo packages in the mail. After an
attempted power nap, I set off on another ambitious road trip – the
return 360-mile journey to Wales for
my regular session at Crobar, Swansea.
My departure coincided with a thunderstorm about as violent as
the UK ever gets, and this clearly had its effect on clubbing numbers.
As a result, Craig at Crobar opted to
close an hour early at 2am, giving me the luxury of being back
in bed as early as 5!
A very hectic week of travelling continued on Saturday as
I set off to Norway, on an SAS
Airlines flight out of Gatwick. I’d played Oslo and
the Quart Festival in Kristiansand before,
but this was my first time in the West Coast city of Bergen.

'Bergen'
Although it’s Norway’s second largest
city after Oslo, Bergen’s only
the size of the average large UK town. Landscape-wise, it’s
flanked by mountains and lakes quite similar to Scotland,
which is only a short distance directly across the North
Sea. Once settled at my hotel, I hooked up with local hip
hop DJ Tommy Berg who took me on a whistle-stop
tour of some of the town’s clubs. I was shocked to find them
all virtually empty despite the fact that it was well after midnight.
Norway ranks as possibly the most expensive country
in the world, and this is as evident in alcohol prices as anywhere
else, (although their fuel prices still aren’t quite as extortionate
as in the UK!) As a result, people tend to get hammered in pubs
before going on to more expensively-priced clubs, so it’s
well after 1am before they fill out, and they’re all required
by law to finish at 3. In addition, Norway has recently subscribed
to the public place smoking ban, which doesn’t appear to
have gone down too well. Venue wasn’t
rammed, but there was a good quality of animated party people in
the place for my 90-minute set, and everyone went home with a smile
on their face.

'Lunchtime in Bergen'
I went on a walking tour of the city on Sunday,
where the menu boards offered such delicacies as reindeer and elk,
and whale steaks – none of which were of much interest to
me as a vegetarian. On my flight home, it occurred to me that this
was the second September 11th since 2001 where I’d found
myself flying. Never a settling thought, particularly as the cockpit
door was left wide open for most of the flight! Having worked for
eight of the ten previous nights, the eventual relaxing night in
with the wife was a very welcome end to the week.
I rolled up to Graze in Maida
Vale, London on Wednesday 14th,
knowing to expect an upmarket, classy kind of spot. What I didn’t
realise was that it’s basically an a la carte restaurant
that plays music to its clientele as they sit at the bar and
digest their food. This being the case, a laid-back soulful set
was clearly called for. A short while in, I was surprised to
see a waitress come up to the booth with a list of requests that
diners had asked her to deliver, which made me feel more like
a chef than a DJ. I played two sets between 9pm and just after
midnight, giving me about the earliest finish I’ve ever
known for a night’s work. I lodged at the in-laws’ in Middlesex,
giving me an opportunity to head back into London the
following morning to handle some business.
G’s in Bicester on
Thursday was memorable only for receiving a lapdance in exchange
for a tune I was planning to play anyway. Which is always nice.
I was anticipating trouble in my journey to Crobar in Swansea on
Friday when I heard that a convoy of fuel protesters had been making
a slow plod along the M4 in South
Wales. Fortunately, it was out of the way before I hit the
area. I’m all for crying out about the scandalous government
duty we pay for fuel in this country, but I really don’t
see how actions like this help in any way. They just screw up innocent
people who are trying to go about their business! The weekend rounded
off with The Bridge in Oxford on
Saturday, providing cover for DJ Danny Love ahead
of my regular slot there the following week.

'Bridge crowd'
Wednesday 21st saw me
heading back to Scandinavia. This was
a very quick visit to Gothenburg, Sweden,
flying out and back the same day. The trip involved conducting
an interview for a business magazine I occasionally freelance for.
For some bizarre reason, Sweden is one of the leading world markets
for reggae music, although I saw little evidence of it in Gothenburg.

'Gothenburg, Sweden'
I did find a store selling hip hop fashion brands
like G-Unit, Sean John, Snoop, Roc A Wear, etc
at what seemed to be highly reasonable prices … unless they
were knock-offs?!
Daytime on Thursday involved two interviews. I chatted to DJ
Whoo Kid about the current Massacre hip hop
tour. The other involved me being interviewed by Scottish DJ David
Craig as part of his new radio production course. It’s always
a useful experience being on the receiving end of an interview. It helps you
try and give the kind of answers you yourself would like to get when it’s
the other way round!

'MD at Bad Apple'
That night was one I’d been eagerly anticipating – the
launch of the new season of Bad Apple at Three in Bristol,
and the start of my new fortnightly residency there. Bad Apple
has easily the most innovative music format of any of the nights
I play – it focuses strictly on the urban music output of
New York, and I always ensure my sets consist solely of artists
from the city. It’s harder than it sounds. That means no
crunk/ Dirty South, no Dre, Snoop, R Kelly,
Usher, Pharrell, Destiny’s Child, no reggae dancehall… It’s
a challenge I always welcome, though. Added to that, I’d
been specifically asked to deliver a DJ Premier showcase
tonight, a quickfire selection of all his classic beats, heavily
inspired by Beatmasters mix on the ‘Unleash’ CD
earlier this year.
Friday 23rd at Crobar,
Swansea was a routine affair, the most memorable part
being another of those classic girlie request moments. This time,
I was playing Donell Jones ‘You Know
What’s Up’ when a girl came up to
ask if I could play something ‘a bit more uptempo.’ When I pressed
her further she added, ‘you know, someting like Luniz ‘I
Got Five On It’. Anyone familiar with these two tracks will grasp
the point!
My regular end-of-month session at The
Bridge in Oxford the following
night ended up being one of my best experiences there of the
past five years! It’s impossible to predict when one of
these is going to come along, and hard to put your finger on
exactly why all the right factors came together, but everything
was right. The roar of energy when I dropped ‘Welcome
To Jamrock’ was truly incredible, and one of those
real special DJ moments. It took a good couple of hours unwinding
in front of the TV with a nightcap before the buzz had worn off
sufficiently for me to go to bed!

'MD & Chris Goldfinger'
There was one more late night on the
cards before the weekend was out. Sunday 25th saw
a visit by Radio One’s reggae master Chris
Goldfinger to The Park End Club in Oxford,
and despite the fact I could have done with an early night, it
was too good an opportunity to miss, so I hooked up with PEC
resident Junior J to check it out. There was a hardcore
reggae dancehall crowd in attendance, making for great vibes, and
re-confirming reggae’s ability to appeal to both male and
female
clubbers in equal measure. Although not one of my own gigs, I took a whole
load of pics from the night, and they’ll be loaded into the Gallery
section of the site very shortly.
The last weekend of September was to
have involved my tenth DJing visit to South Africa, but the combination
of my agent there being on a pan-African tour, and the club contacts
being entirely non-commmital, forced me to abandon the trip and
trade in my plane ticket a couple of weeks before, so a hastily
re-arranged weekend of UK gigs was put together in its place.
This began with G’s in Bicester on
Thursday. It started as a positive night, with a group of women
passing through who’d gone to check Chris
Goldfinger in Banbury, only to
find out on arrival that the gig had been cancelled. Naturally,
they were still in the mood to hear some reggae, so I was happy
to oblige. The night quickly took on negative vibes, however, when
a supremely ignorant and uncultured piece of white trash approached
the booth to say, ‘can’t you play anything decent?
This is all coon music, ennit?’ That these levels of ignorance
can still exist in 2005 utterly astounds me, and I didn’t
bother concealing my disgust for this worthless racist piece of
shit. I just wish he’d made the comment to either of the
two black security guys on duty, but of course he wouldn’t
dare.
The month wound up with Crobar in Swansea on Friday
30th. This is my last session there for a couple of weeks,
owing to Hed Kandi and drum and bass
events being booked for the next two Fridays.
And that was September!
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