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'MD not in South
Africa '
Saturday 1st October should
have seen me playing in Johannesburg, South
Africa, but as explained at the end of September’s
Diary, I opted to pull the trip a couple of weeks before due to
bad vibes from the overseas venues. Instead, I hastily re-arranged
a weekend of UK gigs to compensate, and Saturday saw me joining
Midlands heavyweight DJ One Step at Club
Release in Coventry.
Coventry is a hectic city. The last time I played there I got punched full
in the face … by a girl. As Parveen and myself
walked towards the club, we saw an altercation about to break about between
a doorman and a street thug. And that’s not to mention the city’s
lunatic layout and one-way system, which must have been designed by crackheads! Release itself
was bought by its current owner ten years ago, at which point it had a terrible
reputation following a high-profile double-murder. However, all credit to Perry,
who’s turned it round to become one of the most buzzing and thriving
urban music spots in the Midlands.
'MD & DJ One Step '
I’d last played with One
Step a couple of years before, and as our styles are quite
similar, it’s always a gas. Saturday was a heavy session
made good by an energised and knowledgeable crowd, and was just
the sort of gig that gives me the most satisfaction at the end
of the night. Parveen took some really
great photos to be posted in in the Gallery section
shortly, if they’re not already.
Of all the nights of the week, Tuesdays are
the ones I virtually never play. There’s a school of thought
to suggest that it’s an even drier night than Monday! Despite
this, Flirt at Creation in Cardiff on 4th
October was respectably buzzing. This
is a new student-aimed promotion from the Sugar & Spice crew,
and the fact that it was Freshers’ Week clearly
helped. I was joined on the mic by DJ-turned-MC Bibs for
my set, in which I gave a first airing to a remix of Ciara’s ‘Oh’ that
I’d thrown together the previous day blending the beats
from the Coolie Dance rhythm
and Ying Yang Twins’ ‘Shake’,
which happily appeared to go down well.
'MD with James Ice Cold at Bad Apple
'
The return of the students to Bristol was
ideally timed with my fortnightly appearance at Bad
Apple on Thursday 6th. On previous
occasions, I’ve stuck rigidly to the event’s policy
of showcasing the urban sound of New York by playing tracks only
by artists actually from New York. On this occasion, I conceded
that this really was too restrictive, so expanded the selection
to bring in artists from Chicago, Atlanta, LA, etc, the rationale
being that it’s all still music that gets played in New York,
and is still therefore representative of the NY sound!
The following night saw me with a rare Friday off
following the demise of Crobar. Typical
bad timing meant Wifey was actually working
herself, so I hooked up with her brother, (who’d also been
abandoned by his missus for the night), and we headed to the cinema
to check out David Cronenberg’s ‘A
History Of Violence.’ It’s kinda misleading, turning
out not to be the film you thought it was, but it certainly keeps
you watching, and comes recommended!
The following night, I absorbed my third outstanding
Saturday gig experience in a row – something to be grateful
for in a game where such good fortunes are never guaranteed!
This one was my first time at Milkshake,
the monthly urban music presentation staged at The
Showbar, right on the main pier in Bournemouth.
From the name, I’d assumed the venue to be literally a
bar, and was surprised to find a full-size bona-fide club. Despite
heavy competition, including a Hed
Kandi night at The
Opera House in Boscombe,
Milkshake was impressively attended.
'Milkshake, Bournemouth '
More importantly, the crowd were enthusiastic
and responsive, and everyone seemed to leave uplifted – myself
included. Once again, Parveen did
us proud with a great selection of pics for the Gallery,
which will also appearing in B&S
mag.
My Thursdays have now settled into alternating between Bad
Apple in Bristol and G’s in Bicester.
Bad Apple is the clear preference on pretty much all grounds,
the one single benefit of G’s being that it’s five
minutes from my front door, making it the closest-to-home of
any of the gigs I play.
When it comes to record label street teams, Sony
BMG, Atlantic/ Warner and Def Jam are
the ones in the UK with the most clout, and a place in any of
these tends to hold infinite benefits for any urban DJ. Of these,
Sony BMG is currently on a highly ambitious tour of UK clubs,
looking to take in something like 70 spots between now and Christmas.
I’m covering some of the action in B&S mag,
and on Friday 14th, I hooked up with Reggie
Styles, Redz, and local face DJ
Flash for a stop-off at The White Rooms in Southampton.
'Reggie Styles & homies at White
House, Southampton '
On the drive down, I managed to get a bit of grit
in my eye; in reality it was just a speck, but it felt the size
of a housebrick. I spent the entire drive scratching and rubbing
at my eye trying to get it out, to the extent that when I arrived,
I looked like an extra from Michael Jackson’s ‘Thriller’ video,
my eyeball bloodshot and scratched to bits, which didn’t
do wonders for effective socialising.
The event was actually the opening night for The
White House, (formerly known as The Polar Bar,)
and the refurb had only been finished that afternoon. The DJ box
was freshly built, the smell of sawdust still in the air. Unfortunately,
there were major teething problems with the sound system. Two of
the amps had overheated and blown just before I arrived, resulting
in distorted and muffled sound. It was a bit of a downer, but everyone
there still seemed to enjoy themselves regardless.
The grit had gone by Saturday morning, but my eyes
were still red – this time from lack of sleep, as Wifey and
I left the house early to head to Heathrow Airport.
One of the aspects of my job that I love is the chance to travel
to far-flung spots, and I’ve become something of a specialist
in locating gigs in unusual locations – not always easy when
you spin R&B and hip hop! On this occasion, I was headed to
the Shetland Islands, way off the North
East coast of Scotland, and as far north
in the UK as I’d ever ventured.
There are no direct flights from London,
so I had to route via Aberdeen, and a
two-hour delay didn’t really help, leaving me with literally
minutes to run to my next plane, a small 24-seater up to Sumburgh,
on Shetland’s Southern tip. I’d left home at 9.30am,
and it was 5pm by the time promoter Alan had
driven me the 25 miles to Lerwick, the
capital. Shetland has a population of around 22,000, 10,000 of
them in Lerwick. The oil industry provides the main income, followed
by tourism – but you don’t see much of that in October!
It’s a pretty beautiful island, if a little remote.
'North Star, Shetland '
The gig was at North Star,
a 100-year-old former cinema. It mainly stages live music gigs,
and Alan told me I was the first urban music DJ to ever guest on
the island. I wasn’t quite sure what to expect, so I’d
brought a wide selection, figuring I’d either be forced to
play commercial R&B tosh all night, or could get away with
some proper heavy tunes. By the time of my set, I gauged the look
of the crowd and figured the heavy tune option could work. And
happily it did, the crowd clearly lapping up the chance to hear
something a bit different. I ended the night drunk and happy, with
the invitation to come back soon.
After my two flights home on Sunday, I picked up
a finished batch of ‘Whirlwind Through
Cities’, my second promotional DVD from my producer Sean.
This one’s a little different from the first, focusing more
on me as a journalist than a DJ, but still with plenty of footage
from clubs around the world. Watch out for more about this on the
site soon!
'MD with Westwood '
Despite the appeal of a restful night in, it wasn’t
to be. Westwood and Goldfinger were
guesting at The Park End Club in Oxford,
and it was only right that I hooked up with resident Junior
J and artist De Marvlest to represent.
The night could have done without three fights on the dancefloor,
but that’s pretty much par for the course at a Westwood gig!
When I exited from the Goldfinger night
at the same club three weeks earlier, the street was teeming with
flyer kids. This time, it was teeming with police.
Not much exitement on Thursday and Friday. Thursday
20th saw another week at G’s in Bicester,
my scheduled appearance at Bad Apple in Bristol having
been forward to the following week. Friday
21st was to have involved an appearance at Met
Parties’ Def Jam night at 10
Rooms in London, but after the
gig was booked, then cancelled, then re-booked, then re-cancelled,
I swiftly lost interest and enjoyed a night with Wifey at
the in-laws’ place in Middlesex instead!
This was ideal placing for my flight out of Heathrow the
following day, at least.
My roaming DJ bookings rarely follow any kind of
consistency, so while it would have made good sense to either travel
on direct from my previous weekend’s outing in Shetland,
or otherwise space the two trips out with a reasonable gap in between,
I ended up heading off to a remote Scottish isle for the second
Saturday in a row. This time the destination was Kirkwall,
the principal harbour town on the main island of Orkney.
Again, travel necessitated a BA flight to Aberdeen,
then a transfer to a smaller Loganair-operated
craft up to Kirkwall, where I was met by Mark,
new owner of the Fusion ‘superclub’.
Geologically, Orkney struck me as very similar to Shetland. The
population is slightly less, at around 22,000, with 6-7,000 of
those concentrated in Kirkwall. The Orkneys actually
comprise around 70 islands, but only 16 of them are inhabited by
anything other than sea birds. It’s much closer to the Scottish
mainland than Shetland, itself around 100 miles to the North, but
flight prices still take the piss. My return ticket from London
came in at around the £260 mark, which apparently is nothing
unusual!
'Fusion, Orkney '
Fusion was a major contrast
to North Star. It’s a former fish factory converted to club
status at a cost of around £2 million, and the smart and
spacious results are impressive by anyone’s standards. When
judging likely crowd tastes, it’s generally a case of absorbing
both the venue type and the look of the punters, and from this,
I’d expected a more mainstream and less adventurous crowd
than the previous weekend, which turned out to be the case. This
called for some hard work, but fortunately, everyone seemed happy
enough with the results. It was an entirely Caucasian affair; Orkney
is actually closer to Bergen, Norway,
(where I was the previous month,) than it is to mainland Scotland,
and many Orcadians are apparently of Norwegian descent.
Incredibly, my Sunday route home involved stops
in both Inverness and Edinburgh,
(incorporating a one-hour delay – is there any other way?),
before I finally got back to a waiting Mrs.
D pick-up at London Heathrow.
Plenty of time to put in some B&S mag work on the laptop, at
least…
I was dumbfounded to read on Trevor
Nelson’s website this week that he’s received
a six-month driving ban for speeding. It’s not the ban
that was so surprising, it’s the fact that someone of Trevor’s
stature and salary still drives himself to his own gigs rather
than employ a driver, (which I’d certainly do if I could
afford it!) Anyway, his comments help highlight the general perils
that we DJs face racing around in the middle of the night. The
temptation to bomb it home as quickly as possible after a gig
is clearly a strong one. This was on my mind on my return trip
to Bristol on Thursday 27th – just
over 200 miles in total. Doubtless, some would consider this
a little much, but to someone who’s regularly driven 360
miles or more in a night, this was no biggie at all!
'MD Bad Apple poster '
This was my residency for Bad
Apple at Three in Bristol, where
I’m now back on track with my fortnightly appearances.
My old DJ mate Pete B from Bath passed
through briefly to hand me his latest mix CD, for which I’ve
voiced the intro. You’ll see we’ve included a section
of it to listen to in the left-hand side menu bar. It’s
jokes! (Incidentally, I was also interested in Trevor’s
comments that in-car listening is the only opportunity he gets
to catch up with the vast horde of CDs he receives every week – it’s
exactly the same for me!)
The month finished with my marathon session at The
Bridge in Oxford on Saturday
29th, with an extra hour of sleep to follow due to the
clocks going back – always welcome!
… and that was October.
Diary Archive
2007
January
February
March
April
May
June
2006
January
February
March
April
May
June
July
August
September
October
November
December
2005
December
November
October
September
August
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May
April
March
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January
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